For me, honestly, this is not really important. Après l'obtention du diplôme, elle s'investit dans la gestion culturelle[1]. Still we do not only preserve but also show art. It all started in New York, when in 2003 at the Gagosian Gallery she saw a video installation of Douglas Gordon, “Play Dead Real Time”: on a gigantic screen, a huge gray elephant, filmed in a minimalist setting of an abstract white hall, represented his own demise. And it is important to me. She was one of the few female collectors and the first to focus on time-based media. Line: 315 Founded in 2007, the private collection boasts over 700 works by around 200 primarily European and US artists. That is, the genre seems historically to have a certain feminist quality. But to exhibit them in an appropriate space, with good sound, is rather complicated and takes time and effort in the planning and the realization. Function: view, File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php JULIA STOSCHEK COLLECTION is a private collection of … “WELT AM DRAHT” (english: WORLD ON A WIRE) is the title of the first presentation in the new temporary JULIA STOSCHEK COLLECTION satellite at Leipziger Strasse 60 in Berlin’s Mitte district. If you begin your collection with the art of the 1960s, I would like to ask you how you formulate for yourself the difference between the experimental filmmaking that existed until the emergence of video art and the video medium? What has collecting brought to your life and to your lifestyle? That is why I collect these works. Do you consider video not only a contemporary but also an essentially political medium? “From that moment on, art and collecting art began to shape my life.”. And the ephemeral quality, the impermanence and the determined development of our era seem to me best represented by the moving image. I consider it a work of art. References ^ Luckily the democracy here seems pretty in tact and as a member of the European Union will hopefully remain so. … (*Laughs*). In line with the JULIA STOSCHEK COLLECTION’s insistence that it be contemporary, the exhibition is devoted to media-based pieces that address the influences […] On the other hand, that kind of art expresses our time, the Zeitgeist, where the video camera is a part of practically every family’s equipment (and now is simply built-in in every smart phone or tablet) and a video recording is now as common as, say, the cutting of wood a couple of hundred years ago. That is quite a personal question to me… (*Laughs*). Function: view, Ordre du Mérite de la Rhénanie-du-Nord-Westphalie, https://fr.wikipedia.org/w/index.php?title=Julia_Stoschek&oldid=175723720. Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} German art collector Julia Stoschek attends the 'Django' premiere during the 67th Berlinale International Film Festival Berlin at Berlinale Palace on... Gabriele … La collection se concentre principalement sur l'image en mouvement des années 1960 à nos jours et comprend différents médias: vidéo, simple et analogique, images numériques, environnements multimédias, ainsi que des installations basées sur le réseau informatique et aussi des performances[2]. Line: 208 modifier - modifier le code - modifier Wikidata. Many collectors talk about their very personal relationships with this or that object from their collection. Michael Stoschek is Chairman of the Brose Group. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Actually, if we look at the history of the genre, in the 1960s most of the first works in video art are recordings of performances, which are first and foremost related to the body and many of them were made by female artists who found this theme most important at the time. The collection does not have a particular theme. Twenty minutes and three hours. Browse 257 julia stoschek stock photos and images available, or start a new search to explore more stock photos and images. Stoschek took … Of course. Gabriele Stoschek: Children: Julia Stoschek Maximilian Stoschek: Michael Stoschek (born 1947/1948) is a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by his grandfather Max Brose, a Wehrwirtschaftsführer in Nazi Germany. Latest: Sword kills strange monsters Ziddi To transport them is relatively easy, you simply take the disks with recordings with you. Riga’s Old Town was full of tourists, and the air was full of expectation and promise. I am trying to connect to his or her creative trajectory and to choose the best works from different periods to form an overall impression about his or her individual path and approach. I am often asked wherein lies the difference between cinema, film, music videos and video art. Nationalité : Allemande. Motels near Julia Stoschek Collection, Dusseldorf on Tripadvisor: Find traveler reviews, 35,560 candid photos, and prices for motels near Julia Stoschek Collection in Dusseldorf, Germany. Let us fight for the freedom of art! Line: 478 Droit d'auteur: les textes sont disponibles sous licence Creative Commons attribution, partage dans les mêmes conditions; d’autres conditions peuvent s’appliquer.Voyez les conditions d’utilisation pour plus de détails, ainsi que les crédits graphiques. You know, I am a very emotional person, an enthusiast and I think it’s my fate. The sadness and power inherent in this work impressed her so much that she spent in front of the screen that featured this 20-minute work that was repeated again and again about three hours. Julia Stoschek https://www.julia-stoschek-collection.net Autor Burkhard_Maus Veröffentlicht am April 25, 2019 Mai 1, 2019 Kategorien Blog , Exposition , Film , Kolloquium , Konferenz , Museum , Personalie Schlagwörter Julia Stoschek , Julia Stoschek Collection The JULIA STOSCHEK COLLECTION is making its collection of over 860 works by 282 artists available online for free and without any restrictions. Yet it seems to be prohibited to show nakedness in more contemporary works like moving images or photographs. Julia Stoschek. The free access is something very important to me. Maybe that is why not so many private collectors get involved with this medium, in contrast to specialized and experienced museums, which purchase such works for their collection. Achetez neuf ou d'occasion And I like to show art works and to observe the interest of viewers, as it was in Budapest or Kiev a few years ago where the exhibition was extremely well received with about 2000 visitors a day. If a video is subject to censorship and is prohibited, does it then mean that it possesses the potential of free-thinking? Please note: The current opening and closing hours and special hygiene rules for the Covid-19 are available on this website. Noté /5. That is indeed a beautiful reference point, which is actually directly related to time. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php Time is an important component in the collection of Julia Stoschek, which already numbers about 600 works, and she calls it the collection «of the time-based art». In addition, the works and the exhibitions travel and are shown in various places and contexts, just as here, in Riga, at Riga Art Space. Julia Stoschek Julia Stoschek, born in 1975, is a great-granddaughter of the industrialist Max Brose. It is a wonderful industrial building. For that reason it was very strange to encounter attempts of censorship at Manifesta in St Petersburg where the collection was invited to show works in a film program. Achetez neuf ou d'occasion The medium then became something quite familiar and also closely linked to my personality – I guess I simply love the dynamics of the moving image! But that’s Russia – here in Latvia we did not encounter anything like that. “This video was presented in a completely different format than all these countless black boxes that I had seen up to then,” she recalled. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php 930 personnes étaient ici. Son grand-père Max Brose est le fondateur de l'entreprise du secteur automobile Brose Fahrzeugteile (de). Also we offer guided tours free of charge. Statement von Julia Stoschek zum 100-jährigen Jubiläum des Frauenwahlrechts anlässlich der Kampagne "100 Jahre - Unsere Stimmen" vom Deutschen Frauenrat. That´s how many personal moments of my life have been preserved on video. Resorts near Julia Stoschek Collection, Dusseldorf on Tripadvisor: Find traveler reviews, 35,660 candid photos, and prices for resorts near Julia Stoschek Collection in Dusseldorf, Germany. Elle étudie la gestion des affaires notamment dans le secteur automobile à l'Université de Bamberg. For such a collection thus a large and well thought out space is a must where any interested party could view it (to share and show these works is one of the most basic intentions of this young but very goal-oriented collector). It was a work by Douglas Gordon in which an elephant played his own death. Furthermore, the Julia Stoschek Collection is committed to sustaining the special character and values of this institution, saving them for future generations. Art that is based on time or using time – on the one hand, it is performances and action pieces and, from the other, video art and media art – formats where art is to some degree a process, where the moments of beginning an end as well as entering its field and staying in it are important. But that makes no difference to me. You not only collect this art but also preserve it for future viewers…. I really like the term you use to characterize your collection, time-based media art. Of course, the prices of masterpieces have constantly gone up. By using this website you consent to our use of cookies in accordance with our data privacy statement. I can’t speak for the artists themselves, but I think, that the engagement with political aspects is always part of the development of an artist and it is also very important to generate their own point of view. Order the latest issue of the magazine here. Other collectors influenced me... Harald Falckenberg from Hamburg and Ingvild Goetz from Munich... one of the few female collectors and the first to focus on time-based media. He has a son Maximilian Stoschek. ; J黵gen Otto was appointed CEO of the Brose Group in 2005 after Michael Stoschek withdrew from the management board. Yet she chose a different path and, without a question, she has managed to establish it in a very businesslike manner: well reasoned and precisely. Function: require_once, Message: Undefined variable: user_membership, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php I am a lucky person. The Julia Stoschek Collection’s temporary exhibition space in Berlin, opened in June 2016 in the former Czech cultural centre in the city’s Mitte district. Depuis 2012, elle appartient au conseil d'administration du MoMA PS1, New York, et le Conseil de surveillance de la Kunsthalle de Düsseldorf, le conseil de la Tate à Londres et le comité de la performance au Whitney Museum of American Art à New York[6]. Julia Stoschek collects not only original works, but also the relevant equipment – the whole thing. Time-based media art – fortunately – is not so popular on the secondary market; luckily it is not the most popular sphere for investment or speculation. I am not a dealer, I don’t want to sell the works. His daughter Julia Stoschek is an art collector, specializing time-based media art, and runs the Julia Stoschek Collection in Düsseldorf, which opened in 2007, and has two floors of exhibition space, over 2500 m2. What can I say? JULIA STOSCHEK COLLECTION is a performing arts company based out of 54 Schanzenstrasse, Düsseldorf, Germany. “I collect video art because I believe that it is the medium of my generation,” Stoschek explains. C'est une collection privée internationale d'art contemporain mettant l'accent sur les médias. I stood and watched it for a long time. Brose Fahrzeugteile - Wikipedia Julia Stoschek was born in 1975, the daughter of Michael Stoschek, a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by her great grandfather Max Brose. The JULIA STOSCHEK COLLECTION is a private collection of contemporary international art with a focus on time-based media. For me, collecting does not mean just acquiring art but also presenting it to the public. I lived in New York studying business and economics, but I was also interested in the local art scene. Art sends out a signal of freedom and independence – and that is what really counts for me. What served as the first impulse for forming your collection? For that reason, I am very much interested also in works that are already “historical”, like those of Bruce Nauman, Gordon Matta-Clark and Vito Acconci for example. This was the three-channel video installation «Play Dead Real Time». The Brose Group's shareholders include Michael Stoschek, his daughter Julia Stoschek and his son Maximilian Stoschek, his elder sister Christine Volkmann and her eldest daughter. As I said, I studied business and economics, but my interest in collecting is not monetary based. Can this art say something new and interesting about time itself? I was born in 1975 and grew up in the era of video and MTV; my father always liked new technologies and the opportunities they offered, so we would of course have a video camera at home. Photo: Simon Vogel; courtesy Julia Stoschek Collection. Stoschek’s collection currently numbers over 700 works by around 200 primarily European and US artists. Collection of Our Time – Sergej Timofejev from Arterritory in conversation with Julia Stoschek: one of the most active and famous collectors of time-based art. How has your personal relationship formed to video as a technology and part of the contemporary lifestyle? Retrouvez The Julia Stoschek Collection et des millions de livres en stock sur Amazon.fr.

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