With 15 tracks of general good quality and lowdown, dirty attitude, Uprising is a huge improvement over its direct predecessor, Same Difference, which was itself really bad. Uprising is a death 'n' roll music album recording by ENTOMBED released in 2000 on CD, LP/Vinyl and/or cassette. The songwriting is remarkably consistent. Softstyle. It's a record of massive alienation and discontent, thus representing both genres, and one of the attempt to reconcile ones' neuroses and ambitions with reality, representing neither. It settles into a nice mid-tempo groove and just kills. 'Uprising': the heroic music that need show no examples of its bravery to those who would not understand. The cover of Dead Horse's "Scottish Hell" is included as part of this album, a morose piece of depressive rock which feels only natural in the hands of Entombed (it's one of the better covers on their Sons of Satan Praise the Lord compilation of 2002), and "Time Out" kicks in with a strong, curious thrash rhythm that is soon branded by straight up, dirty hardcore rock. 5.0 out of 5 stars Avatara's review of Entombed "Uprising". Album Rating: 3.5Thank you Crysis. It has an almost 70s rock vibe yet retains the balls-crushing intensity. Album was recorded at Das Boot Studios and produced by Nico Elgstrand and Entombed. The delivery is of abrasive, fulminating rock music with the barest tinge of metal's sonic brutality and heaviness. Entombed Band Hoodie, Entombed Uprising Artwork Hooded Sweatshirt. Our products are made from high quality %100 cotton fabric. Okay. If you wish to have it with printed on double side, please >>ADD THIS OPTION (costs extra 6 Euro). Genres: Death 'n' Roll. -autothrall Review. To make this extra special, there will be T-Shirts designed for each album and fans can also decide which track from “DCLVXI — To Ride, Shoot Straight And Speak The Truth”, “Uprising” or “Same Difference” deserves to be on the exclusive 7″ single offered in this campaign. In short, 'Uprising' is the combination of metal's ideology and passion with rock music's rawness of emotion and basic musical template. The metal scene treats the word 'rock' like one of the harshest of curses. Auch Entombed besinnen sich alter Tugenden und gehen wieder einen Schritt zurück. Album Rating: 3.5This isn't my best review but I felt it needed to be done. This is Entombed tipping their hats to Motorhead and Discharge as the album has a Hard Core Punk and Rock 'n' Roll feel to it. 'Say It In Slugs' has a big-ass stoner riff throughout, sounding like Kyuss would if they'd had the courage to really unleash. Genres: Death 'n' Roll. Your shopping cart is empty! I picked up Entombed's 'Uprising' at a used record store on a whim fairly early in my metal-listening career, recognizing the name as a heavy metal band. Entombed - Uprising review: Entombed steer off the ‘The Left Hand Path’ and produce an album with much variance against a sub-genre they helped to create in the first place. This is the very definition of catharsis, emotion, and passion, and to dismiss it because of the tools it is crafted with are of a different breed is idiocy. Yes. "Insanity's Contagious" is a darker trip to the bottom of the bottle, its neanderthal riffing loud and proud while L-G Petrov splatters his gut-wrenching meditations across the backside of the guitars. But what makes Entombed so powerful on this record is L-G Petrov's vocal delivery and lyrics, elements that would never be such a crucial part of a heavy metal album. The lyrics aren't very good, but they do represent the personal, blue collar aesthetic the band was touting. "Superior" has a driving drum and start/stop to its rhythms which reminds me of something Helmet might write. It's only in recent time, after numerous plays, have I begun to really grasp what separates Entombed from most rock music, what unifies it with heavy metal, and what makes it a truly great album in the field of both genres. I can't think of the number of times I've heard a metalhead dismiss a band with a wave of the hand, and that damnation that so many fear: 'rock-like'. Reviews Official sew on embroidered patch from Swedish death metal band Entombed featuring design from their sixth album Uprising. Review Entombed 1 Same Difference. After the nebulous void that was Entombed in 1994-1999, it was time for a swift boot to the ass, an album to kick start the band back towards the positive, creative direction they were beginning to unravel with their 3rd album Wolverine Blues, and though it's hardly perfect, Uprising was such an event. Die Schweden klingen auf Uprising deutlich dreckiger und straighter als auf ihrem letzten Album Same Diference und gehen wieder mehr in Richtung der Alben To Ride, Shoot Straight And Speak The Truth und Wolferine Blues. Of course, since I've got the North American CD release of this album, it doesn't end here. Wolverine Blues was the only album that I ever liked from these guys. The vast majority of metalheads came to this breed of music from rock or its bastard child nu metal, and, as loathe as I am to use this argument, there is a certain trendiness in 'biting the hand that feeds you'; going back to disrespect the rock music that brought you into heavy metal. Uprising was intended as a return to form by Entombed, make no mistake, and fortunately it succeeds on all counts. Uprising is an album that has both those trademarks. It's a fucked up sound, totally unexpected, but it works. http://www.fromthedustreturned.com. Uprising is without question a metal album, a simple fact that will please fans turned off by Same Difference. But unlike rock, nu metal is a genre small enough to dismiss with a somewhat general sweep of the hand. Verified Purchase. Songs: Seeing Red, Say It In Slugs, Won't Back Down, Insanity's Contagious, Something Out Of Nothing, Scottish Hell.. Members: L-G Petrov, Alex Hellid, Ulf "Uffe" Cederlund, Jörgen Sandström, Peter … A great deal of metalheads see metal as the 'evolved' form of rock music, the natural evolutionary successor to that genre, superior in musicianship, aesthetic, ideology, and overall artistic impact. The tone is actually not all that different from their 'official' fourth album To Ride..., it has the same dirty punk rock luster, only this time the energy of their youth is in fine form, and the band offers 43 minutes of driving punishment that is worthy of cruising (or speeding) around in your car, hunting for cheap liquor or suicide. Track 12 'In The Flesh' shows a duration of 6:66 printed in booklet. This is merely the basic elements of rock music (distorted guitars, power chords, simple beats and fills, shouted vocals) overdriven and brought to the end of their ropes by fury and determination. Labels: Music for Nations. Rated #794 in the best albums of 2000. Discover releases, reviews, credits, songs, and more about Entombed - Uprising at Discogs. Album Rating: 3.5Thank you kind sir! "In the Flesh" is the finale of the core album, a lament sparked through a pair of dueling organs that create a horrific landscape, over which the chords slowly creep forth, the organ melody transforming into a guitar, and a clear Sabbath influence pouring through. Und genau so klingt "Uprising" auch: wie eine halbgare Sache nämlich. SKU: 2335 Categories: Band patches, Patches. You were right ! He has a near-perfect metal voice, finding the halfway between a hoarse shout and death grunt. Review Entombed Monkey Puss - Live In London. All preconceived notions must be shed, all pretenses and prejudices against 'rock music', and this album must be taken for exactly what it is, nothing more, nothing less than the story of what it is to be a man in today's world. Serpent Saints leaned more towards their older stuff a bit but this album started them on a more streamlined road. Sie kicken wieder! "Words" is perhaps the strongest of the bonus content, but it's not a far cry from songs we've already heard on Uprising, kind of a mix of "Seeing Red" and "Something Out of Nothing". "The Only Ones" has another thick mudslide of bass guitar which rolls into a violent, bluesy shuffle, and though I like the way the guitars carouse through the tune like drunken serpents, there isn't much payoff. None of this seems to matter to them though. I still do; nu metal is, by and large, complete shit, and I'm glad that I escaped its trappings. Reviews There are no reviews yet. View credits, reviews, tracks and shop for the 2000 Cardboard sleeve CD release of Uprising on Discogs. If anything, the production on this reminds me of Unsane, in that it is intensely loud, super-noisy, super-heavy, and stripped way down. Entombed wear their crust influences on 'Won't Back Down,' sounding like an amped-up Discharge filtered through the blues. Self-produced, unpolished, Entombed seem set in laying the cards down, plain an' simple. It makes sense, in a way. Purposefully under-recorded, it somehow restores the band's sound to an almost Wolverine Blues level heaviness. Oder tausend Mal. Height (CM) 10. Upon playing it at home, I was deeply surprised to, instead of metal, hear a particularly abrasive, raw, and heavy form of rock music instead. Reviewed in the United Kingdom on 11 May 2015. Again, no riffs here that you'll freak out over, but it doesn't require them, its a mindless deposit of energy waiting to piggyback your ride from a highway pit stop. It's morose to the point of melancholy, memorable to the point where it has been indelibly ingrained in my brain. Highlights: Say it in Slugs, Something Out of Nothing, Time Out, Returning to Madness "Uprising" is a nice rebound from the failed experimentation of "Same Difference" as everyone, even the band, agrees they stumbled with that one. This blinddrive toward instinctual growth garnered Entombed substantial critical acclaim and an increased fan base, yetit also drew almost as much criticism, as the group abandoned a particular style just as they had mastered it,alienating their more stubborn fans. I definitely liked it, that much was sure: there seemed to be something more 'real' about this rock music than what was heard on the radio, something more emotionally resonant and, in some way, more metallic than what one would hear ordinarily. Then there is no hope for you at all "Left Hand Path" und "Clandestine", das waren noch Zeiten, wo die D-Mark noch was Wert war und Entombed noch Death Metal spielten. Line-up: L-G Petrov - Vocals Uffe Cederlund - Guitar, Backing vocals, Organ Alex Hellid - Guitar Jörgen Sandström - Bass Peter Stjärnvind - Drums Guests: Jonas Lundberg - maracas on "Insanity's Contagious," tambourine on "Time Out." This page includes ENTOMBED Uprising's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, buy online: ebay and amazon, ratings and detailled reviews by some experts, collaborators and members. Swedish metal veterans ENTOMBED recently teamed up with PledgeMusic to launch a reissue campaign for some of their albums. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. No percussive acrobatics are necessary: the album is devoid of tremolo picking, double bass, blast beats or death growls. The riff is so damn infectious! The longer I've been in metal, the less disdain for rock music I've come to feel. CDMFN257; CD). review entombed a.d. black death Entombed's massive influence on extreme metal continues to be felt in the present day, as this Stockholm band's genre re-defining debut Left Hand Path (1990) and its follow-up Clandestine (1991) still inspire groups the globe over with their tone, energy and aura of … And yet the very most powerful track here is the band's cover of Dead Horse's 'Scottish Hell', which manages to convey a level of nihilism and agony far beyond that of most heavy metal bands. In some ways, this makes sense, but seems to be more a factor of community than genre itself: metal is a genre much more tied together through a unified community than all the strains of rock music are, united merely by a vague commonality in instrumentation, and at once having to deal with being one of if not the most popular 'genre' of music on the face of the earth. Additional information Reviews (0) Additional information. "Come Clean" is another pure roadster, punk engine with screaming little leads and an old school, blues boogie which ascends to its head banging riot chorus. "Year In Year Out" weaves a classic, dour Entombed melody through a post punk environment, a brisk and catchy track which helps to steer the album back into the drag race which it started, and "Returning to Madness" is perhaps the most brooding piece on the record, slow but assured as the cruel guitar rhythm gives momentum to Petrov's working man lyrics and howled vocals. While I do think that both "Clandestine" and "Left Hand Path" are classics, I take issue with anyone who says that Entombed has offered up nothing great since. 1. Read and write album reviews for Uprising - Entombed on AllMusic Pos'd.This Message Edited On 07.22.08. I remember an infinite number more riffs off 'Uprising' than I do off any Deathspell Omega record. They have been alternately lauded and derided. The grind is all there, but the riffs have a toe-tapping 70s hard rock characteristic to them. I think you might enjoy this album for a couple of spins. His voice is monotonous and abrasive, never quite backing down from its intensity; the voice of a man too accustomed to being betrayed to ever let down his guard fully. The only album that I really liked from this band was Serpent Saints. I picked up Entombed's 'Uprising' at a used record store on a whim fairly early in my metal-listening career, recognizing the name as a heavy metal band. Good review wizard. Weitere Artikel zu Entombed. The highlight, however, absolutely lays in their masterful interpretation of Dead Horse's 'Scottish Hell.' When the mutes become chords, the power is enough to rattle your spine, and the break into the thick, oozing bass with the vocals at 1:50 is fantastic. Arguably one of the greatest death metal albums of all-time, Entombed's "Clandestine", has been given the Full Dynamic Range treatment, allowing the music's nuances to shine through and giving the album a more ferocious, immersive and dynamic sound than ever before. Weight.005 kg: Band: Entombed. They are death metal's answer to Motorhead. entombed, Uprising, patch. 8/10. I picked up Entombed's 'Uprising' at a used record store on a whim fairly early in my metal-listening career, recognizing the name as a heavy metal band. What we have is quite possibly the perfect bridge between the two genres, taking parts of each but existing comfortably in neither. Released 6 March 2000 on Music for Nations (catalog no. Shop Vinyl and CDs and complete your Entombed collection. Album Rating: 3.5Ok, please direct attention back to music/ review! I defy anyone to listen to this song without wanting to bang your head. Frustrating? "Won't Back Down" is a little brighter and groovier, but follows a pretty similar pattern, with a nice bass injection into raucous hardcore punk. "The Itch" is perhaps the one song on Uprising which closely echoes the band's work on their previous albums, opening with a very Zeppelin bounce (like something Rage Against the Machine might pull), but at least it's not bad, and the consistent guitar tone identifies well with the remainder of the tracks. I might try it out. Il death-metal ebbe forse i suoi alfieri piu` brutali negli Entombed del … Entombed on this album are a great deal more aggressive than the average rock band, and hell, for the average metal band as well. Uprising is the sixth full length album by Swedish metal band Entombed. Size measures 10cm (4") x 8cm (3"). The concepts are simply and universal, and these ranges from pure aggression and determination ('I'm seeing red/It helps me set things straight/I'm doing everything/For the purpose of improvement'), confusion and loss in a world where one feels alone, with lines simply collapsing like one into bed after a day's backbreaking labor ('I'm tired of hating/And feeling down/My ears they're bleeding/And I'm getting old') and every shade of grey in between. Width (CM) 8.5. Glossier productions have often tempered their ferocity. Seeing them in concert, they belt out their songs with a jovial sense of enjoyment that transcends metal opinions. Slavish devotion to one's past breeds stagnation and indignity, Entombed have avoided this curse fairly well, making some excellent records along the way. I came into metal from, like many my age, nu metal, and I quickly fell into forsaking it along with most other metalheads.

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